Out of Place and Out of Time: Andrew Cunanan, Darren Criss, and Queer Filipinx Haunting

Alana J. Bock
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Abstract

Abstract:The television series The Assassination of Gianni Versace (2018) has been widely praised for telling the tragic stories of Italian fashion designer Gianni Versace, his murderer, Andrew Cunanan, and queer life in the 1980s and 1990s. As this paper explores, however, this tale of queer tragedy is haunted by the ghostly presence of Cunanan's primitive and abject queer Filipinxness. By reading the relationship between the on-screen Andrew Cunanan and Darren Criss, the celebrated actor who plays the spree killer in Assassination, this paper explores the ways in which a primitive and abject queer Filipinxness continues to shape how we come to know Filipinxness in the present moment. In an attempt to acknowledge and bring forth this queer Filipinx ghost, I use a queer of color critical reading practice to look at the relationship between Assassination, the mythology surrounding Cunanan, and the celebration of Criss. In doing so, I wish to disrupt the temporal paradigm that places Cunanan in the past and the celebration of Criss in the modern present in order to get at what continues to haunt Filipinx being: the residues of US empire.
不合时宜,不合时宜:安德鲁·库纳南,达伦·克里斯,和菲律宾酷儿闹鬼
摘要:电视剧《刺杀范思哲》(2018)讲述了20世纪80年代和90年代意大利时装设计师范思哲、谋杀他的凶手安德鲁·库纳南以及酷儿生活的悲惨故事,受到广泛好评。然而,正如本文所探讨的那样,库纳南原始而卑贱的菲律宾酷儿身份的幽灵般的存在困扰着这个酷儿悲剧故事。通过阅读银幕上的安德鲁·库南和达伦·克里斯(在《暗杀》中扮演疯狂杀手的著名演员)之间的关系,本文探讨了原始和卑贱的酷儿菲律宾人如何在当下继续塑造我们对菲律宾人的认识。为了认识和展现这个菲律宾酷儿鬼魂,我用一种有色酷儿的批判性阅读实践来审视《暗杀》、围绕库纳南的神话和克里斯庆典之间的关系。在这样做的过程中,我希望打破将库纳南置于过去和将克里斯的庆祝置于现代的时间范式,以便了解继续困扰菲律宾人的东西:美帝国的残余。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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