Marvell and Nineteenth-Century Poetry

M. O'neill
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引用次数: 1

Abstract

Influence always leaves a wraith-like path, invisible to one person, transparent to another. The danger of reading-in is evident. This chapter proposes that Marvell’s influence on nineteenth-century poetry is manifold but frequently fugitive, now like centrifugal ripples in a still pond, now a sudden shower of meteors across the night sky. Nigel Smith reminds us that ‘The important point to remember is that Marvell was not unrecognized as a poet until the later nineteenth century, as has often been claimed’. Poets from Wordsworth to Tennyson are studied in relation to the nuanced ambivalence of Marvellian poetry; so too are critics and anthologists; so too is the range of poetic genres affected by Marvell’s influence.
马维尔与19世纪诗歌
影响力总是留下一条幽灵般的道路,一个人看不见,另一个人却很清楚。抄底的危险是显而易见的。这一章提出,马维尔对19世纪诗歌的影响是多方面的,但往往是短暂的,有时像静止的池塘里离心的涟漪,有时像夜空中突然出现的流星。奈杰尔·史密斯提醒我们,“要记住的重要一点是,直到19世纪后期,马维尔才被认为是一位诗人,就像人们经常说的那样”。从华兹华斯到丁尼生的诗人都被研究与马维尔诗歌微妙的矛盾心理有关;评论家和选集学家也是如此;受马维尔影响的诗歌体裁也是如此。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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