"A Bit of Haze is Quite Indispensable Here": Creative Compromises and Narrative Clues in Nabokov's Letters to American Editors

O. Voronina
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Abstract

Abstract:This paper challenges the myth of Nabokov's creative invincibility by addressing the writer's openness to editorial suggestions and even direct interferences in his work in the 1940-60s, the time of his early tentative exploration and, later, triumphant conquest of the American literary market. Grounded in a detailed analysis of Nabokov's correspondence with editors of American periodicals, the New Yorker and Playboy among them, it aims to compare the very Nabokovian project of educating an American reader to the unexpectedly long-term and involved process of his own "schooling" as an American writer. Since Nabokov was sometimes obliged to reveal his literary secrets to editorial teams in order to maintain the integrity and hidden complexity of his narrative patterns for a larger audience, the letters cited in this essay also clarify some enigmatic artistic choices in such works as Pnin and The Eye.
“一点阴霾在这里是必不可少的”:纳博科夫给美国编辑的信中的创造性妥协和叙事线索
摘要:本文通过分析纳博科夫在20世纪40年代至60年代对编辑建议甚至直接干涉的开放态度,挑战了他创作上不可战胜的神话。在这段时间里,纳博科夫进行了早期的试试性探索,后来成功征服了美国文学市场。基于对纳博科夫与美国期刊编辑(包括《纽约客》和《花花公子》)通信的详细分析,本书旨在将纳博科夫教育美国读者的计划与他自己作为一名美国作家的“教育”过程进行比较,这一过程出乎意料地长期而复杂。由于纳博科夫有时不得不向编辑团队透露他的文学秘密,以便为更多的读者保持他的叙事模式的完整性和隐藏的复杂性,本文中引用的信件也澄清了诸如《Pnin》和《the Eye》等作品中一些神秘的艺术选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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