Conclusion

M. Schmid
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Abstract

The conclusion sums up the findings of the book, taking stock of the role of the older arts in the New Wave'scultural legitimation. Drawing on Alain Badiou, it illuminates the New Wave's productive paradox: while positing film as art, the movement also asserted cinema's status as a popular medium better suited to reach a wide and diverse audience than the traditional arts. The conclusionfurthermore revisitsintermediality's function as both a mirroring device and a means to work through social and political issues.
结论
结论部分总结了本书的研究结果,并评估了旧艺术在新浪潮文化合法化中的作用。以阿兰·巴迪欧为例,它阐明了新浪潮的生产悖论:在将电影定位为艺术的同时,该运动也主张电影作为一种流行媒介的地位,比传统艺术更适合接触广泛和多样化的观众。结论进一步回顾了中间性作为镜像设备和解决社会和政治问题的手段的功能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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