Art Facing the Problem of Otherness, with Reference to the Interwar Literature of Annemarie Schwarzenbach (1908-1942)

Miriam Baquero Leyva, Ana Conseglieri, R. Huertas
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Abstract

The work of Annemarie Schwarzenbach (1908-1942) is an interesting illustration of the power of representing the struggles of the inner world in literature. In her work, the whole problem of otherness is evident, which is largely resolved through literary activity, in a woman who assumed in herself a marginal otherness due to her gender, her sexual identity, and for having been admitted for psychiatric treatment on more than one occasion during her life. But, beyond the individual aspect, her novels also provide a valuable account of the feelings of the interwar generation, an intellectual and artistic group that experienced the taste of modernity during the brief period between World War I and Hitler’s uprising. The author took part in this exodus and, in this case, literature was an important means of collective endurance. Delving into both aspects, we witness a reflection, perhaps old, but full of associations with our present society.
面对他者问题的艺术——兼论安玛丽·施瓦岑巴赫(1908-1942)的两次世界大战之间的文学
安妮玛丽·施瓦岑巴赫(1908-1942)的作品是文学作品中表现内心世界斗争的力量的一个有趣的例证。在她的作品中,他者的整个问题是显而易见的,这在很大程度上是通过文学活动解决的,在一个女人身上,她认为自己是一个边缘的他者,因为她的性别,她的性身份,以及她一生中不止一次接受精神治疗。但是,除了个人层面,她的小说还提供了对两次世界大战之间的一代人的情感的宝贵描述,这是一个知识分子和艺术群体,他们在第一次世界大战和希特勒起义之间的短暂时期体验了现代性的味道。作者也参与了这次大迁徙,在这种情况下,文学是集体忍耐的重要手段。深入研究这两个方面,我们看到了一个反思,也许是古老的,但与我们现在的社会充满了联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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