MUSIC OF THOUGHT OF S. KIERKEGAARD

R. T. Rukoleeva
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Abstract

This article analyzes the essay «Either-or» by the Danish thinker S. Kierkegaard. The musicality is an important feature of this work. The author attempts to combine the languages of music and prose, and a unique philosophical and literary text is born on the border of two types of art. Kierkegaard considered Mozart’s opera «Don Giovanni» as the pinnacle of musical creativity. Through the character of Don Juan, the philosopher recreates the type of aesthetic personality in the spirit of romanticism and shows the vulnerability of the romantic worldview. «Either-or» includes works written in different genres and reflecting opposing attitudes in life. This feature of narration can be compared with the phenomenon of polyphonism in music.
克尔凯郭尔思想的音乐
本文分析了丹麦思想家克尔凯郭尔的论文《非此即彼》。音乐性是这部作品的一个重要特点。作者试图将音乐和散文的语言结合起来,在两种艺术类型的边界上诞生了一种独特的哲学和文学文本。克尔凯郭尔认为莫扎特的歌剧《唐璜》是音乐创造力的巅峰之作。哲学家通过唐璜这个人物形象,再现了浪漫主义精神下的审美人格类型,展现了浪漫主义世界观的脆弱性。“非此即彼”包括不同体裁的作品,反映了不同的生活态度。这种叙事特征可以与音乐中的复音现象相比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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