Measuring Complexity in the Artistic Representation of the Architecture of Balkrishna Doshi

M. Lionar
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Abstract

Besides his architectural works, Indian architect Balkrishna Vithaldas Doshi is also renowned for expressing his ideas through his paintings. Inspired by Indian-Mughal miniatures, these paintings present his architectural works by depicting an idea so prevalent in Indian culture as well as in his works: complexity. To investigate this notion in a quantitatively measurable manner, this paper investigates one of the architect’s most significant works, Sangath, depicted both in Doshi’s painting and in the form of conventional orthographic drawings, using a comparative fractal dimension analysis. The result proves that the fractal dimension of Doshi’s painting of Sangath is significantly higher than those of the orthographic drawings showing the building’s exterior: block plan, front elevation, and right elevation. The conclusion suggests that Doshi’s painting is capable of presenting an idea of complexity more prominently than conventional architectural drawings.
衡量Balkrishna Doshi建筑艺术表现中的复杂性
除了他的建筑作品,印度建筑师Balkrishna Vithaldas Doshi也以通过他的绘画表达他的想法而闻名。受印度莫卧儿微缩模型的启发,这些绘画通过描绘在印度文化和他的作品中如此普遍的想法来呈现他的建筑作品:复杂性。为了以定量可测量的方式研究这一概念,本文研究了建筑师最重要的作品之一Sangath,它在Doshi的绘画和传统的正字图形式中都有描绘,使用了比较分形维数分析。结果表明,多西画的桑加特图的分形维数明显高于建筑立面的正射线图:块平面、正面立面和右侧立面。结论表明,多西的绘画能够比传统的建筑图纸更突出地表现出复杂性的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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