Introduction: The Portrayal of Adoption in Popular Culture

Martha Satz
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引用次数: 1

Abstract

abstract:The present volume seeks both to acknowledge the present state of the portrayal of adoption in popular culture and to examine those aspects of adoption not usually acknowledged but nevertheless present in popular culture. The first three articles in this collection analyze the images of adoption in wellknown cultural artifacts: the Jurassic Park movies; three popular movies, largely geared to children, that portray the reunion of adoptees and biological parents in American Asian adoptions; and the depiction of motherhood, adoptive and otherwise, in the HBO series based on a contemporary and popular work of fiction, Celeste Ng's Little Fires Everywhere. Alice Diver uses the law and literature to discusses the treatment of children produced by artificial technology, juxtaposing recent legal decisions that leave some children stateless and without rights with literary works that treat children with dubious, "unnatural" origins. Finally, Rukhsar Hussain discusses the derogatory representation in Indian Cinema of the hijra, nonbinary-identifying members of communities in South Asia.
引言:大众文化中收养的写照
本卷旨在承认在流行文化中收养的写照的现状,并检查那些通常不被承认但仍然存在于流行文化中的收养方面。本作品集的前三篇文章分析了著名文物中的收养形象:《侏罗纪公园》电影;三部主要面向儿童的热门电影,描绘了美国亚裔收养中被收养者和亲生父母的团聚;HBO的这部剧改编自塞莱斯特·吴(Celeste Ng)的《处处有小火》(Little Fires Everywhere),是一部当代流行小说。爱丽丝·戴弗(Alice Diver)利用法律和文学来讨论人工技术所产生的儿童的待遇,并将最近的法律裁决与文学作品中对待可疑的、“非自然”起源的儿童的做法进行了对比。最后,Rukhsar Hussain讨论了印度电影中对希吉拉的贬损表现,希吉拉是南亚社区的非二元认同成员。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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