Changes of Women's Status from the Evolution of Dunhuang Murals—Taking Images of Donors and Feitian Legends as Examples

Zhuohan Yu, Siming Xie
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引用次数: 1

Abstract

It is well-known that social phenomena can be reflected in art. In the past research time, there have been some research results about the Dunhuang murals and gender equality, respectively. However, there is no such one as combining the two meaningful topics together and applying them in modern society. The aim of this study is to analyze the trend of murals painted in Dunhuang by comparing the characteristics in a different time, from the Beiliang Dynasty to the Yuan Dynasty, and then compare the trend of feminization of the mural images with the changes in women's status during this 1000 years. After comparing and analyzing, the different, even contrary, results lead to deeper thoughts: from what perspective the women's status should be analyzed and described? Definitely, the four dimensions, including economic participation and opportunity, educational attainment, health and survival, and political empowerment, should not be ignored and must be treated seriously. That is meaningful for the research of Dunhuang Grottoes, the images painted in Dunhuang, the studies of ancient China, today’s gender inequality, and many other areas. It is confident that this article will fill academic gaps and provide a new idea to other researchers.
从敦煌壁画的演变看女性地位的变迁——以献血者形象和飞天传说为例
众所周知,社会现象可以反映在艺术中。在过去的研究中,关于敦煌壁画和性别平等的研究分别取得了一些成果。然而,将这两个有意义的话题结合在一起并应用于现代社会,却并不存在。本研究的目的是通过比较北梁至元代不同时期敦煌壁画的特点来分析敦煌壁画的发展趋势,并将壁画形象的女性化趋势与这一千年来女性地位的变化进行比较。在对比分析之后,不同甚至相反的结果引发了更深层次的思考:应该从什么角度来分析和描述女性的地位?当然,不应忽视四个方面,包括经济参与和机会、受教育程度、健康和生存以及政治赋权,必须认真对待。这对研究敦煌石窟、敦煌壁画、研究古代中国、当今的性别不平等以及许多其他领域都有意义。相信本文将填补学术空白,为其他研究者提供新的思路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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