An Answer to Two Opera Quotations

A. Kluge
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引用次数: 0

Abstract

This chapter highlights Alexander Kluge's engagement with opera. In this essay, Kluge addresses two quotations from opera. The first is from Guiseppe Verdi's Aida (1871): “Do you see? The angel of death…” This line is spoken by the main character Aida. Kluge investigates the concept of the angel of death. He then explains that the mission of the twentieth century is to tell counter-stories to the collected stories of the nineteenth century. The second quote is from Richard Wagner's The Flying Dutchman (1843): “Here I am, true to you till death!” This line is spoken by the character Senta. Feelings take time to develop. It therefore seems unlikely that love at first sight is mutual. Thus, the suddenness of the Dutchman's and Senta's fatal and mutual falling in love has something of an act of force. One could call it a putsch in the domain of emotion. Kluge then discusses the unfulfilled program of the bourgeois tragic drama.
对两段歌剧引文的回答
这一章强调了亚历山大·克鲁格对歌剧的投入。在这篇文章中,克鲁格引用了歌剧中的两句话。第一句出自居塞佩·威尔第的《阿依达》(1871):“你看到了吗?死亡天使……”这句话是主角阿依达说的。克鲁格调查了死亡天使的概念。然后他解释说,20世纪的使命是讲述与19世纪收集的故事相反的故事。第二句出自理查德·瓦格纳的《飞翔的荷兰人》(1843):“我在这里,对你忠诚至死!”这句话是由角色Senta说的。感情的发展需要时间。因此,一见钟情似乎不太可能是相互的。因此,荷兰人和圣塔的突然的致命的相互相爱有一种力量的行为。我们可以称之为情感领域的一次政变。克鲁格接着讨论了资产阶级悲剧戏剧未完成的纲领。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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