ODESSA WRITERS OF THE 1920S IN THE JOURNALISM OF N.A. LOGUNOVA (IVANOVA)

O. Kiyanskaya, D. Feldman
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Abstract

The article is the fourth in a series of publications devoted to the biography and journalistic work of N.A. Logunova the Russian emigrant writer. It deals with the first years of her adult life in Odessa, the beginning of her literary career and the activities of the literary circle “The Green Lamp” (Zelenaya lampa). The authors focus on the first steps in the literature of the later famous Soviet writers and journalists V.P. Kataev, I.E. Babel, E.G. Bagritsky, Y.K. Olesha, etc., their first publications in the Odessa periodicals and their public speeches. In addition, it is about, one might say, a particular lifestyle of Odessa writers, formed under the influence of the cultural specifics of their home-city. Logunova tells in detail about the life of Eduard Bagritsky, who loved birds and was indifferent to the conveniences of life, describes the methods of Babel’s literary work, who from his youth aspired to the maximum saturation of his prose, literally honing every phrase, removing everything that he considered optional. The article also characterizes methods used by Odessa writers for adaptation to the new – Soviet – conditions of literary life, fundamentally different from the pre-Soviet – political situation.
敖德萨作家在20世纪20年代的新闻。
这篇文章是一系列关于俄罗斯移民作家N.A.洛古诺娃的传记和新闻工作的出版物中的第四篇。它讲述了她在敖德萨成年后的头几年,她的文学生涯的开始以及文学圈“绿灯”(Zelenaya lampa)的活动。作者重点介绍了后来著名的苏联作家和记者V.P.卡塔耶夫、巴别尔、巴格里茨基、奥列莎等人在文学上迈出的第一步,以及他们在敖德萨期刊上的第一批出版物和公开演讲。此外,可以说,它是关于敖德萨作家在其家乡文化特征的影响下形成的一种特殊的生活方式。洛古诺娃详细讲述了爱德华·巴格里茨基的生活,他喜欢鸟类,对生活的便利漠不关心,描述了巴别尔的文学作品的方法,他从年轻时就渴望他的散文达到最大的饱和,逐字逐句地磨光每一个短语,删除所有他认为可有可无的东西。文章还描述了敖德萨作家适应新苏联文学生活条件的方法,这与苏联前的政治形势有着根本的不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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