{"title":"Mauro Bigonzetti","authors":"Kathrina Farrugia-Kriel","doi":"10.1093/oxfordhb/9780190871499.013.9","DOIUrl":null,"url":null,"abstract":"In 1990, Mauro Bigonzetti choreographed his first ballet, Sei in Movimento (Six in Motion), for Aterballetto, a pioneering ballet company set up in 1979 in the Emilia Romagna region of Italy. Over the course of the 1990s, an emergent, multifaceted choreographic identity began to evolve in his work, entwining the cultural and historical influences that inhabited the creative spaces of Aterballetto in Reggio Emilia. The chapter identifies the (dis)placed stylistic heritage that emerges from Bigonzetti’s choreography, including his reimagining of Bronislava Nijinska’s Les Noces (1923). This chapter articulates Bigonzetti’s artistic contributions throughout the end of the twentieth and early twenty-first centuries within the context of Italian contemporary ballet.","PeriodicalId":412686,"journal":{"name":"The Oxford Handbook of Contemporary Ballet","volume":"435 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Contemporary Ballet","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780190871499.013.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In 1990, Mauro Bigonzetti choreographed his first ballet, Sei in Movimento (Six in Motion), for Aterballetto, a pioneering ballet company set up in 1979 in the Emilia Romagna region of Italy. Over the course of the 1990s, an emergent, multifaceted choreographic identity began to evolve in his work, entwining the cultural and historical influences that inhabited the creative spaces of Aterballetto in Reggio Emilia. The chapter identifies the (dis)placed stylistic heritage that emerges from Bigonzetti’s choreography, including his reimagining of Bronislava Nijinska’s Les Noces (1923). This chapter articulates Bigonzetti’s artistic contributions throughout the end of the twentieth and early twenty-first centuries within the context of Italian contemporary ballet.
1990年,毛罗·比冈泽蒂为1979年在意大利艾米利亚罗马涅地区成立的先锋芭蕾舞团aterballet编舞了他的第一部芭蕾舞剧《Sei In Movimento》。在20世纪90年代,一种新兴的、多方面的编舞身份开始在他的作品中演变,交织着居住在雷焦艾米利亚阿特勒芭蕾舞团创意空间的文化和历史影响。本章确定了比冈泽蒂编舞中出现的(不)放置的风格遗产,包括他对布罗尼斯拉瓦·尼金斯卡的《Noces》(1923)的重新想象。本章阐述了比冈泽蒂在二十世纪末和二十一世纪初意大利当代芭蕾的艺术贡献。