Cultural Capital in the Digital Age. The YouTuber Online Persona

Eliana Isabella Radu
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Abstract

Abstract In this essay, we will examine if and how Bourdieu’s cultural capital theory can be applied to the YouTuber online persona and if any significant alterations could point towards the consideration of a new form of capital – digital capital. We will also be looking at how a YouTuber persona and its capital can be transferred and used in different environments and situations. We aim to examine how one’s online persona is becoming just as, if not more important than one’s real-life actions, managing to overcome punitive measures (inauthenticity aversion) usually applied to inauthentic forms of capital. We will take into account how the embodied, objectified, and institutionalized cultural capital can be found in YouTuber personas, but are being altered by the online environment, by exposure, by the algorithms used by the platform, by ‘internet history’. With the help of these alterations, the forms of capital associated with the online persona – in this case the YouTuber persona – have transcended the classic definitions of cultural capital. These developments can be analyzed and further explored in several fields, such as personal branding.
数字时代的文化资本。youtube用户的在线角色
在本文中,我们将研究布迪厄的文化资本理论是否以及如何应用于YouTuber在线角色,以及是否有任何重大改变可以指向考虑一种新的资本形式-数字资本。我们还将研究如何在不同的环境和情况下转移和使用YouTuber角色及其资本。我们的目标是研究一个人的网络角色如何变得与现实生活中的行为一样重要,如果不是更重要的话,设法克服通常适用于不真实形式的资本的惩罚性措施(不真实厌恶)。我们将考虑如何在YouTuber角色中找到具体化的、客观化的和制度化的文化资本,但它们正在被在线环境、曝光、平台使用的算法、“互联网历史”所改变。在这些变化的帮助下,与网络人物相关的资本形式——在这个例子中是youtube人物——已经超越了文化资本的经典定义。这些发展可以在几个领域进行分析和进一步探索,比如个人品牌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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