Speaking About The Unspoken: Saudi Culture and Islamic Law in Antony Thomas’s Docudrama Death of a Princess

A. El-Sawy
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Abstract

During recent decades, third world countries, especially Arab nations, have become concerned about their image in Western mass media. Arab commentators claim that coverage of their region “is often one-sided and one-dimensional” (Al-Nowais, H.E.A., 1980), and that their cultural characteristics have been falsely depicted. Such misrepresentation is one factor that leads Western viewers to misunderstand the social and political norms of the Arab world. Islam, as both a religion and a political force in Arab nations, is frequently misinterpreted. The topic that has most recently crystallized concern about the misrepresentation of Arab culture has been the role of women in Islamic societies. This paper tries to examine such misrepresentations, and to highlight Saudi culture and Islamic law, through an analysis of Antony Thomas’s docudrama Death of a Princess.
论未言说:安东尼·托马斯记录片《公主之死》中的沙特文化与伊斯兰法律
近几十年来,第三世界国家,尤其是阿拉伯国家,开始关注自己在西方大众媒体中的形象。阿拉伯评论家声称,对他们地区的报道“往往是片面和片面的”(al - nowwais, h.e.a., 1980),他们的文化特征被错误地描述了。这种歪曲是导致西方观众误解阿拉伯世界社会和政治规范的一个因素。伊斯兰教作为阿拉伯国家的宗教和政治力量,经常被误解。最近,女性在伊斯兰社会中的角色成为人们对阿拉伯文化被歪曲的关注的焦点。本文试图通过对安东尼·托马斯的纪录片《公主之死》的分析来审视这种误解,并突出沙特文化和伊斯兰法律。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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