IMAGE SPIRITUALITY AND COLOR TRUTH IN HISTORICAL WORKS

Syrdaryokhon Utanova
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Abstract

The article is devoted to the study of the mastery of Alisher Navoi's innovative creativity in the use of color in historical works. A number of examples were given of the fact that color is an important tool in illuminating historical reality. In particular, the problem of color compatibility is being addressed for the first time from a historical and artistic point of view. For example, in the work "Tarixi anbiyo va hukamo", modified forms of the words white, green, black, red, yellow, blue are used, which mean color, as well as their meanings from other languages. It is found that only the first three of these words are found, which express color in "Tarihi muluki Ajam". It has been proven that some colors in the color system equate to a word that is an expression of evil, oppression, anger, evil or good and beauty without further explanation or explanation. It is also shown that all the works of the poet represent a single literary canvas, each of which has a comple-mentary, enriching and developing character.Key words: color, symbol, harmony, history, tradition, innovation, literary influence, artistic skill, image, appearance, language features, white, black, red, yellow, green
历史作品中的意象精神性与色彩真理性
本文致力于研究阿利舍尔·纳沃伊在历史作品中运用色彩的创新创造力。许多例子都说明了色彩是照亮历史现实的重要工具。特别是,色彩兼容性问题首次从历史和艺术的角度得到解决。例如,在作品《Tarixi anbiyo va hukamo》中,使用了白、绿、黑、红、黄、蓝等词的修饰形式,这些词的意思是颜色,以及来自其他语言的意思。结果发现,在“Tarihi muluki Ajam”中,只有前三个词表示颜色。事实证明,颜色系统中的一些颜色等同于一个词,它表达了邪恶、压迫、愤怒、邪恶或善良和美丽,无需进一步解释或解释。这也表明诗人的所有作品都是一个单一的文学画布,每一个都有一个互补、丰富和发展的特点。关键词:色彩、符号、和谐、历史、传统、创新、文学影响、艺术技巧、形象、外观、语言特征、白、黑、红、黄、绿
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