The Dramaturgy of Some Prose Writers

Veronica-Alina Constanceanu
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Abstract

The dramatic text is primarily written to be played, the relationship between the text and the possible reader being secondary. The relationship with the director and the viewer is important. Dissecting the dramatic text must take into account its particularities. In this article we will focus on the writings of two novelists who also wanted to be playwrights. Novelist and screenwriter, indisputable star of post-war Romanian literature, Titus Popovici was also present in theaters with only two plays. Ştefan Agopian’s connection with the theater is accidental, he dramatized one of his books, but the text was not never performed on a stage.
一些散文作家的戏剧创作
戏剧文本主要是为了表演而写的,文本和可能的读者之间的关系是次要的。导演和观众之间的关系很重要。剖析戏剧文本必须考虑到它的特殊性。在这篇文章中,我们将集中讨论两位想成为剧作家的小说家的作品。小说家兼编剧,无可争议的战后罗马尼亚文学之星,提图斯·波波维奇也只在剧院演出了两部戏剧。Ştefan阿戈比安与戏剧的联系是偶然的,他将自己的一本书改编成戏剧,但剧本从来没有在舞台上表演过。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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