Artywistyczne praktyki mapowania przeciw kryzysom. W stronę miejskiej potencjalności

J. Pankau
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Abstract

The article focuses on the artistic-activist practicies of mapping urban crises, asking about their critical and transformational potential. Artivistic mapping – combining artistic practices with a form of political activism – is recognized in context of extracting inequalities in monitoring crisis areas, as well as the city’s transformational capabilities. Looking at the involvement of artists and activists in mapping projects is combined with the question of the potential for anti-crisis action – shaping political perceptions and stimulating alternative practical responses to generated urban problems. The following issues are addressed: (1) counter-mapping and the relationship of artistic practices with critical cartography, (2) the development of activist mapping forms – maptivism and crisis mapping, and (3) references to the interests of new urban ontologies, in particular the on-epistemological dimension of urban mapping assemblage, binding issues of updating and the potential of cities. Mapping is recognized in the critical-activating dimension as a form of cognition oriented on creative experimentation and interference in existing reality. Because of this, it is an interesting and prolific area for practical consideration of the form of ‘engagement policy’ through ‘research of potentiality’. It is worth considering in what sense the practices of artistic and activist crisis mapping can be a “turning point” – opening “a window to new ways of seeing and imagining” (K. Dovey, M. Ristic). It is primarily a field for asking questions about transformational mapping possibilities – perceiving the city as a place of “radical potentiality” (C. McFarlane). In order to illustrate the problem more clearly, the last part of the work analyzes the anti-gentrification activities in the San Francisco Bay Area, in particular the mapping practices undertaken by Anti-Eviction Mapping Project.
这篇文章聚焦于描绘城市危机的艺术活动家的实践,询问他们的关键和变革潜力。艺术制图——将艺术实践与一种形式的政治活动相结合——在监测危机地区和城市转型能力中提取不平等的背景下得到认可。观察艺术家和活动家参与绘图项目,与反危机行动的潜力问题相结合——塑造政治观念,激发对产生的城市问题的替代实际反应。本文讨论了以下问题:(1)反测绘和艺术实践与批判性制图的关系,(2)积极测绘形式的发展——测绘主义和危机测绘,以及(3)对新城市本体论的兴趣的参考,特别是城市测绘组合的非认识论维度,更新和城市潜力的绑定问题。在批判性激活维度中,映射被认为是一种以创造性实验和对现有现实的干扰为导向的认知形式。正因为如此,通过“潜力研究”对“接触政策”的形式进行实际考虑是一个有趣而多产的领域。值得考虑的是,在何种意义上,艺术和激进主义危机映射的实践可以成为一个“转折点”——打开“一扇窗口,以新的方式观察和想象”(K. Dovey, M. Ristic)。它主要是一个提出关于转换映射可能性的问题的领域-将城市视为一个“激进潜力”的地方(C.麦克法兰)。为了更清楚地说明这个问题,文章的最后一部分分析了旧金山湾区的反中产阶级化活动,特别是反驱逐测绘项目所进行的测绘实践。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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