Heralds at the Bells: Messages of Hope from West Balkan Bards During the Coronavirus Pandemic

Dorian Jurić
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引用次数: 1

Abstract

Between March and May of 2020, a number of guslars (bards) and other traditional singers from Bosnia-Herzegovina, Croatia, Montenegro, and Serbia flooded YouTube with songs about the COVID-19 pandemic. Though the musicians chose divergent vantage points from which to approach the topic of the pandemic, all settled on a similar goal. They sought to deliver a message of solidarity and hope to those struggling with the realities of life under lockdown measures and to allay the fears and uncertainties that spread with the virus. This article provides a critical overview of the guslars’ songs to explore their shared and divergent tropes, themes, and tones, and to highlight the goals of their singers in disseminating their messages in traditional form. Here I comment on what the high degree of convergence in the songs’ final messages reveals about vernacular responses to the pandemic and folk views on the measures taken to halt the virus’s spread. Finally, the article places these songs into a wider historical context of contemporary singing to the gusle, remarking on the vagaries of navigating authority when one sings subjective opinion in the name of a collective.
敲响钟声的使者:冠状病毒大流行期间西巴尔干吟游诗人的希望信息
2020年3月至5月期间,来自波斯尼亚-黑塞哥维那、克罗地亚、黑山和塞尔维亚的一些古斯拉尔(吟游诗人)和其他传统歌手在YouTube上上传了大量关于COVID-19大流行的歌曲。尽管音乐家们选择了不同的有利位置来探讨大流行的话题,但他们都有一个相似的目标。他们试图向那些在封锁措施下与现实生活作斗争的人传递团结和希望的信息,并减轻伴随病毒传播的恐惧和不确定性。这篇文章提供了一个重要的概述guslars的歌曲,探索他们的共同和不同的比喻,主题和音调,并强调他们的歌手在传播他们的信息在传统形式的目标。在这里,我想谈谈歌曲最后信息的高度趋同,揭示了当地民众对疫情的反应,以及民间对遏制病毒传播所采取措施的看法。最后,文章将这些歌曲置于更广泛的当代歌唱的历史背景中,评论了当一个人以集体的名义演唱主观意见时,导航权威的变幻莫测。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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