TOWARDS THE PHILOSOPHY OF MUSICAL EXPERIENCE IN THE WEST AND EAST

Abstract

This article is devoted to the analysis of the musical affiliation in the mystery of the Altai kam and kaichi. To do this, the authors transfer the methods of analyzing the European musical experience to the traditional Altai culture. We observe the physiology, psychology of music perception, as well as the phenomenology and semiology of the formation of musical experience. Similarities in the pre-secret understanding of music, as the formation of the perception of society of the system of coordinates and internment, the role of the figure of the performer in culture, and the relevance of comparing the structural function of the European and Altai musical agent are also substantiated