{"title":"Evaluating Socially Engaged Practices in Art: The Autonomy of Artists and Artworks in Community Collaborations","authors":"Harry Matthews, A. Moorehouse","doi":"10.52715/syqu4741","DOIUrl":null,"url":null,"abstract":"Issues concerning socially engaged practice, autonomy, and narrative in art are introduced alongside Claire Bishop’s critique of relational art. A conceptual framework from the community arts, the ‘Collaborative Stories Spiral’, is presented as a non-hierarchical platform for communities to develop individual and collective narratives. The framework is amended and applied to a reading of composer Brona Martin’s project Sowing Seeds, emphasising the reflective and expressive capabilities of the artist and their artwork. The article seeks to provide a necessary stimulus for better understanding how socially engaged practice may be discussed and evaluated in the community.","PeriodicalId":326189,"journal":{"name":"Question Essays and Art from the Humanities","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Question Essays and Art from the Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.52715/syqu4741","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Issues concerning socially engaged practice, autonomy, and narrative in art are introduced alongside Claire Bishop’s critique of relational art. A conceptual framework from the community arts, the ‘Collaborative Stories Spiral’, is presented as a non-hierarchical platform for communities to develop individual and collective narratives. The framework is amended and applied to a reading of composer Brona Martin’s project Sowing Seeds, emphasising the reflective and expressive capabilities of the artist and their artwork. The article seeks to provide a necessary stimulus for better understanding how socially engaged practice may be discussed and evaluated in the community.