Crystallizing the relationship between adolescents, music, and emotions

K. Mcferran
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引用次数: 2

Abstract

The ways that young people use music to work with emotions is impressively diverse and difficult to box into categories of good and bad, helpful and unhelpful. The intersection of where, when, and why the young person is using music is further complicated by what music, what associations, and what conscious and unconscious intentions the young person has. This introductory chapter canvasses the vast landscape of music, adolescents, and emotions, using the lens of crystallization to consider the different perspectives offered by young people, music therapists, and music psychologists. The result is a rich and varied picture that places agency in the hands of the young person and encourages all caring adults to engage with the multiple possibilities that music affords.
明确青少年、音乐和情感之间的关系
年轻人用音乐来处理情绪的方式是令人印象深刻的多样化,很难归类为好的和坏的,有益的和无益的。年轻人使用音乐的地点、时间和原因,会因为年轻人使用什么音乐、什么联想以及有意识和无意识的意图而变得更加复杂。这一导论章审视了音乐、青少年和情感的广阔景观,使用结晶的镜头来考虑年轻人、音乐治疗师和音乐心理学家提供的不同观点。结果是一幅丰富多样的画面,将主动权交给年轻人,并鼓励所有有爱心的成年人参与音乐提供的多种可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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