{"title":"Spectral urbanism","authors":"T. Collins, Andrew Douglas","doi":"10.24135/ijara.v22i22.716","DOIUrl":null,"url":null,"abstract":"Responding to the clearing in the 1970s of an estimated 15,000 houses to make way for the Central Motorway Junction in Tāmaki Makaurau Auckland, this research project presents a speculative architectural proposal for a wallpaper archive and a pedestrian bridge to a traffic island of regenerating trees at the centre of Grafton Gully. The wallpaper archive—intended to house a modest historic wallpaper collection by local heritage architects Salmond Reed Architects—and the bridge are cover for a larger recovery of historical significance eclipsed by the transport infrastructure. The architecture proposed intends both memorial and future-building functions and arises out of an investigation of practice-led processes centred on casting, modelling, printing, and photography. In doing so, this creative design research demonstrates a form of architectural renovation as storytelling, in which the past is recalled not through material restoration, but re-narrativisation—a process I have come to call spectral urbanism.","PeriodicalId":403565,"journal":{"name":"Interstices: journal of architecture and related arts","volume":"214 3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Interstices: journal of architecture and related arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24135/ijara.v22i22.716","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Responding to the clearing in the 1970s of an estimated 15,000 houses to make way for the Central Motorway Junction in Tāmaki Makaurau Auckland, this research project presents a speculative architectural proposal for a wallpaper archive and a pedestrian bridge to a traffic island of regenerating trees at the centre of Grafton Gully. The wallpaper archive—intended to house a modest historic wallpaper collection by local heritage architects Salmond Reed Architects—and the bridge are cover for a larger recovery of historical significance eclipsed by the transport infrastructure. The architecture proposed intends both memorial and future-building functions and arises out of an investigation of practice-led processes centred on casting, modelling, printing, and photography. In doing so, this creative design research demonstrates a form of architectural renovation as storytelling, in which the past is recalled not through material restoration, but re-narrativisation—a process I have come to call spectral urbanism.