Looking for William

Jennifer Ruiz-Morgan
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Abstract

Literary tourism has recently emerged as a lively field of research, especially in nineteenth-century studies. As a cultural phenomenon it has proved to be particularly popular in the British Isles, where its origins can be traced back to the eighteenth century. This essay analyses literary tourism in relation to one of England’s most renowned authors: Shakespeare. Garrick’s 1769 Jubilee is explored to explain how this well-orchestrated commemorative event paved the way for the earliest pilgrimages to Stratford-upon-Avon. Secondly, the Shakespeare family homes, especially the Birthplace, are analysed as historical national icons that have elicited ideas of Englishness. Finally, there is a discussion on authenticity in relation to the Birthplace and The Globe. Using theoretical terminology coined by Lacan and Baudrillard, the essay seeks to demonstrate the inability to fully experience authenticity, as it is impossible to access a reality—Shakespeare’s past—that has ceased to exist.
找威廉
文学旅游最近成为一个活跃的研究领域,特别是在19世纪的研究中。作为一种文化现象,它在不列颠群岛特别受欢迎,其起源可以追溯到18世纪。这篇文章分析了与英国最著名的作家之一莎士比亚有关的文学旅游。加里克1769年的周年纪念是为了解释这个精心策划的纪念活动是如何为最早的前往埃文河畔斯特拉特福的朝圣铺平道路的。其次,莎士比亚家族的住宅,尤其是出生地,被分析为历史上的民族象征,引发了英国人的想法。最后,对《出生地》和《环球》的真实性进行了探讨。使用拉康和鲍德里亚创造的理论术语,这篇文章试图证明无法完全体验真实性,因为不可能进入一个已经不复存在的现实——莎士比亚的过去。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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