When Rio Was Black: Soul Music, National Culture, and the Politics of Racial Comparison in 1970s Brazil

Abstract

Michigan for the fellowship that supported this work, and for the opportunity to present it. For their insightful contributions at different stages, I would like to thank Matthew Briones, Tamar Carroll, Sueann Caulfield, Fernando Coronil, Marie Cruz, Christopher Dunn, Dario Gaggio, Juan Hernández, Jesse Hoffnung-Garskof, Bryan McCann, Farina Mir, Gina Morantz-Sanchez, Ed Murphy, Deborah Poole, and Julie Skurski. I am indebted to two anonymous reviewers for the HAHR for their generous and careful comments.