Rock Art Rocks Me

A. Dubos, Jean-François Jégo
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引用次数: 1

Abstract

We are looking for something primitive: a memory from before our birth. Something obvious, we all carry and that evolves within us: the first gestures of the first men. Between art, science and technology, our research tends to a virtual scene of rock art in action. Assuming that the cave paintings are the traces of oral performance or dance rites [1], they have been used as transmission and communication media for the knowledge of surrounding and environments of the early men (hunting, myth, history, art or religious content, shamanism). Through the scope of these fragmentary traces of history, we are seeking to reconstruct various performative scenarios echoing the paintings of the Chauvet's cave.
摇滚艺术震撼了我
我们在寻找一些原始的东西:我们出生前的记忆。一些显而易见的东西,我们都随身携带,并在我们体内进化:第一批男人的第一个手势。在艺术、科学和技术之间,我们的研究趋向于一个虚拟的岩石艺术在行动的场景。假设洞穴壁画是口头表演或舞蹈仪式的痕迹[1],它们已经被用作早期人类对周围环境知识(狩猎、神话、历史、艺术或宗教内容、萨满教)的传播和交流媒介。通过这些零碎的历史痕迹,我们试图重建各种与肖韦洞穴壁画相呼应的表演场景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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