DANGER, DISEASE, AND DEATH IN THE GRAPHIC URBAN IMAGINATION

B. Fraser
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Abstract

This chapter explores how diverse storytelling modes invoke the modern discourses of urban threat. The Eternaut, created by writer Héctor Germán Oesterheld and illustrator Francisco Solano López, stages an alien invasion in the city of Buenos Aires. Dengue by Rodolfo Santullo and Matías Bergara tells a story of invasion and disease transmission in Montevideo. Urban detective literature and the mystery/occult story are fused in Jacques Tardi’s The Extraordinary Adventures of Ade`le Blanc- Sec, whose action unfolds in Paris. Created by Japanese artist Tsutomu Nihei, Blame! fictionalizes the verticality and immense scale associated with Tokyo in a visual dystopian tale. Adapting a now discredited theory on the Jack-the-Ripper serial killings, Alan Moore and Eddie Campbell’s graphic novel From Hell links the slums, architecture, and patriarchal violence of Victorian London. Fábio Moon, and Gabriel Bá’s Daytripper treads fearlessly into serial confrontations with mortality in and beyond the context of São Paolo.
城市想象中的危险、疾病和死亡
本章探讨了不同的叙事模式是如何引发城市威胁的现代话语的。《永恒》由作家hmactor Germán Oesterheld和插画家Francisco Solano López共同创作,讲述了外星人入侵布宜诺斯艾利斯的故事。《登革热》作者Rodolfo Santullo和Matías Bergara讲述了蒙得维的亚入侵和疾病传播的故事。雅克·塔迪的《白姑娘的非凡冒险》将城市侦探文学和神秘故事融合在一起,故事发生在巴黎。由日本艺术家Tsutomu Nihei创作的《责怪!》在一个视觉反乌托邦的故事中虚构了与东京相关的垂直和巨大的规模。艾伦·摩尔和埃迪·坎贝尔的漫画小说《来自地狱》改编了一个现在已经不可信的关于开膛手杰克连环杀人案的理论,将维多利亚时代伦敦的贫民窟、建筑和父权暴力联系在一起。Fábio月亮,加布里埃尔·布的《白日旅行者》无畏地与死亡进行了一系列的对抗,无论是在圣保罗的背景下还是在其他方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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