Dylan Thomas’s “Poem in October”: A Parody of Poetic Tradition
International Journal on Studies in English Language and Literature
Pub Date : 1900-01-01
DOI:10.20431/2347-3134.0709004
引用次数: 0
Abstract
The image of Wilfred Owen as ―fragile and luminous‖ grown ―by pain and labour‖ ( Contemporary Verse 250) that the poets of the thirties adore and the Second World War poet ―conscious of his desires and needs and flesh that rise and fall‖ lampoons as ―poor bare forked animal,‖ ―a machinery of death and slavery‖ (CV ) and ―forgets ... his hatred of war‖ has been steadily revivified by Sidney Keyes, the heroic war poet, ―those cries and wings surprise our surest act‖ (Modern Verse 421). Keyes celebrates the sensibility of Owen amidst the poets of insensitivity:迪伦·托马斯的《十月之诗》:对诗歌传统的拙劣模仿
威尔弗雷德·欧文的形象是——脆弱而明亮的——通过痛苦和劳动成长起来的——30年代的诗人和第二次世界大战的诗人所崇拜的——意识到他的欲望、需要和肉体的起落——讽刺的是——可怜的裸露的叉形动物，——死亡和奴役的机器——(CV)和——忘记了……他对战争的仇恨‖被英勇的战争诗人西德尼·凯斯不断地复活，—那些哭声和翅膀使我们最可靠的行为感到惊讶‖(现代诗421)。凯斯在那些麻木不仁的诗人中赞美了欧文的感性:
本文章由计算机程序翻译，如有差异，请以英文原文为准。
求助全文
约1分钟内获得全文
求助全文
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
