The new aesthetic in contemporary world painting

Al-Academy Pub Date : 2023-08-15 DOI:10.35560/jcofarts1226
Sahib Jassim Hassan Bandar Al-Bayati
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Abstract

The research tagged: the new aesthetic in contemporary world painting. The research contained five chapters. The first chapter dealt with the research problem and its importance. It dealt with the concept of the new aesthetic as a concept concerned with the topics of the mind, i.e. the most comprehensive and diverse topics. The New Aesthetic is an aesthetic and stylistic structure whose taste, aesthetic, artistic and emotional contribute to its structure with awareness of the context. The aim of the research is to identify the new aesthetic in contemporary world painting. As for the objective limits of the research, the researcher was interested in studying the new aesthetic, especially in abstract expressionism, pop art, opera, and conceptual art, for the period (1948-1997) in America. The chapter also included keywords. The second chapter dealt with the concept of beauty and aesthetics. The third chapter dealt with aesthetics and awareness of the cultural and social context in modern painting. The fourth chapter dealt with the new aesthetic and its applications in contemporary formation. In the fifth chapter, the researcher reached a set of results, including:1-The new aesthetic found in expressionism a space that was able to reproduce the above, in a psychological space, after which the artist turned to search for his own personal visions and ideas, just as surrealism was the influential reference with its ancient symbols and myths, which gave the artists of abstract expressionism an opportunity to express meanings latent by the most obvious means.2- Visual data, including multimedia in pop art, formed new aesthetic approaches, and it is part of the exchange of ideas and its philosophy in time.Then, the researcher reached a set of conclusions, and then a list of sources, references, and a summary of the research in English.  
当代世界绘画的新审美
研究的主题是:当代世界绘画中的新美学。研究共分五章。第一章论述了本文的研究问题及其重要性。它把新美学的概念作为一个与心灵主题有关的概念,即最全面和最多样化的主题。新美学是一种审美和风格结构,它的审美、审美、艺术和情感在语境意识的作用下构成了它的结构。研究的目的是识别当代世界绘画的新美学。关于研究的客观局限,研究者对研究1948-1997年期间美国的新美学,特别是抽象表现主义、波普艺术、歌剧和观念艺术感兴趣。本章还包括关键词。第二章论述了美与美学的概念。第三章论述了现代绘画的审美和对文化和社会语境的认识。第四章论述新美学及其在当代形态中的应用。在第五章中,研究者得出了一系列结论,包括:1 .新美学在表现主义中找到了一个能够再现上述的空间,在一个心理空间中,之后艺术家转向寻找自己的个人愿景和想法,正如超现实主义是具有影响力的参考,其古老的符号和神话,这给了抽象表现主义艺术家一个机会,以最明显的方式表达潜在的意义。2-视觉数据,包括波普艺术中的多媒体,形成了新的美学方法,它是思想和哲学交流的一部分。然后,研究人员得出了一组结论,然后列出了来源,参考文献,并用英语对研究进行了总结。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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