Digital Interactivity

Katherine Thomson-Jones
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引用次数: 1

Abstract

This chapter concerns the distinctive and distinctively prominent forms of interactivity realized in digital art. The focus is on the complex relation between interactivity in the visual arts and the inherent replicability of digital representation. First, I show that, despite appearances to the contrary, replicability and interactivity are compatible in the case of digital images. To do this, I argue that an artwork’s appreciative display—the structure by which the work is intended to convey its artistic content—comprises not just the materials of the work but also their uses. Then I can explain both the transmissibility of the digital image—in terms of a single display type—and the interactivity of the digital image in terms of the boundaries for modifying instances of the type in question. Once this explanation is in place, I look at ways in which the combination of transmissibility and interactivity—a combination that is unique to images that are digital—has significance for the interpretation and social function of art.
数码互动
这一章关注的是数字艺术中实现的独特而突出的互动形式。重点是视觉艺术的互动性和数字表现的内在可复制性之间的复杂关系。首先,我表明,尽管表面上相反,在数字图像的情况下,可复制性和交互性是兼容的。为了做到这一点,我认为艺术品的欣赏展示——作品旨在传达其艺术内容的结构——不仅包括作品的材料,还包括它们的用途。然后,我可以解释数字图像的传递性(就单一显示类型而言)和数字图像的交互性(就修改所讨论的类型实例的边界而言)。一旦这种解释到位,我就会考虑传播性和互动性的结合——这是数字图像所特有的结合——对艺术的解释和社会功能具有重要意义的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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