Migrant Female Musicians and their Fight for Social Rights

Milena Gammaitoni
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Abstract

The aim of this essay is to examine the social action of women composers, often obliged to migrate, for long or short periods, in search of greater freedom and affirmation of their musical talent. The history of yesterday and today features numerous women musicians, composers and performers, active in the production of music, in social and political life, who often had and have to travel and migrate to assert themselves. Going on tour has always been part of the life of the artist – but for women it was not easy to travel freely and at will, on their own besides. Until the nineteenth century, such a thing was almost always strictly forbidden. Sometimes women composers and performers left the countries in which they resided for personal reasons, driven not only by the “compulsion” to change country because in their own it was impossible to choose the pathway they wished to follow.
流动女音乐家及其争取社会权利的斗争
这篇文章的目的是研究女性作曲家的社会行动,她们经常被迫或长或短地迁徙,以寻求更大的自由和对她们音乐才能的肯定。在过去和今天的历史中,有许多女性音乐家、作曲家和表演者活跃在音乐创作、社会和政治生活中,她们经常不得不旅行和迁徙,以维护自己的权利。巡回演出一直是艺术家生活的一部分,但对女性来说,自由、随意地旅行并不容易,而且还得靠自己。直到19世纪,这样的事情几乎总是被严格禁止的。有时,女性作曲家和表演者出于个人原因离开了她们所居住的国家,不仅是因为在她们自己的国家不可能选择她们想要遵循的道路而被迫改变国家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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