SYNTHESIS OF ENTREPRISE, PRODUCTION AND DIRECTING IN THE WORKS OF SERGEY DYAGILEV

A.Yu. Arefeva
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Abstract

The article is devoted to defining the role of art management in S. Diaghilev's seasons. From the traditional enterprise, which existed in the theater on the rights of a certain syncretic activity, when famous directors were responsible for repertoire policy, financial affairs, selection of the troupe, to differential production, which became a cluster of artistic management, there is a long distance in the mediation stage space. This activity involves the creation of a synthetic work of art, where any organizational function is a refrain of the type and style of directing. S. Diaghilev was mainly a manager who set the type of directing in choreography, stage activities in general.
谢尔盖·佳吉列夫作品中企业、生产和导演的综合
本文致力于定义艺术管理在S. Diaghilev的季节中的作用。从传统的企业,即存在于剧场上的某种权利的融合性活动,到著名导演负责剧目政策、财务、演出团的选拔,到差别化的制作,成为一个集群的艺术管理,在舞台空间的调解上还有很长的一段距离。这种活动包括创造一种综合的艺术作品,其中任何组织功能都是导演类型和风格的副歌。S. Diaghilev主要是一个管理者,他在编舞和舞台活动中设定了导演的类型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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