Into the Galant: Tartini, Telemann, Quantz, and Zuccari

Walter S. Reiter
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引用次数: 0

Abstract

The final ornamentation module deals with examples by Giuseppe Tartini, Georg Philipp Telemann, Johann Joachim Quantz, and Carlo Zuccari. Tartini’s treatise on ornamentation contains a clear and systematic approach to ornamentation, dealing with grace notes, trills, vibrato, turns, and mordents, and giving many examples of embellished cadences. Telemann’s Methodical Sonatas contain embellished slow movements in both French and Italian styles. They are categorized, and an exercise is devised for assimilating them. Quantz wrote one of the most comprehensive interval-based ornamentation tables of the entire Baroque period, relevant above all to the Style Galant and including note-by-note instructions for performance. Examples are given with these instructions reproduced. He also composed an Adagio with instructions for almost every note: these have been transcribed from the instructions for ease of study. Quantz also offers advice on cadenzas, of which two are reproduced. To conclude, a page of Carlo Zuccari’s 1760 True Method of Playing an Adagio is reproduced.
最后一个装饰模块涉及Giuseppe Tartini, Georg Philipp Telemann, Johann Joachim Quantz和Carlo Zuccari的例子。Tartini关于装饰音的论文包含了一个清晰而系统的装饰音方法,处理装饰音,颤音,颤音,旋转和停顿,并给出了许多修饰节奏的例子。泰勒曼的《有条不紊的奏鸣曲》包含了法国和意大利风格的缓慢乐章。它们被分类,并设计了一个练习来吸收它们。Quantz写了整个巴洛克时期最全面的间隔装饰表之一,首先是与Galant风格相关的,包括一个音符一个音符的演奏说明。给出了示例并复制了这些说明。他还写了一首慢板,几乎每个音符都有说明:这些都是为了便于学习而从说明中抄录的。Quantz还提供了关于装饰曲的建议,其中两个是复制的。最后,本文重现了卡罗·祖卡里1760年的《柔板的真正演奏方法》中的一页。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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