Architecture - Crisis and Modernity. From Walter Gropius to Ben Van Berkel

Chadi El Khoury
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Abstract

The transition from the industrial society to the information society has brought profound changes, even for what concerns the architecture and the way of operating of the architects. Just think of the emergence of big events and themes of recent years, such as the abandoned areas, or to the new conception of the metropolitan landscape, or even the development of an ecological conscience, not to mention the technical potential linked to electronics also in the construction industry. The book illustrates the path that goes from Walter Gropius to Ben Van Berkel, stressing the moments of crisis and the catalysts of this process and focusing the efforts of architectural research and its protagonists to deal with these constant changes. This paper develops concepts of methodology and theoretical models in architectural culture, allowing to contextualize and to announce the issues around which articulate the "dynamic" model, understood as a support for the creative phase of the project, leded by the contemporary society of information systems. Although many previous events marked the field this time and cannot be forgotten, a study focused on the main theoretical models of design from 1920 is needed to describe the state of the art consists in that field. At the time of their creation, these methods and models of world architecture have provoked many reactions, positive and / or negative, but mostly exciting.
建筑——危机与现代性。从沃尔特·格罗皮乌斯到本·范·贝尔
从工业社会到信息社会的转变,给建筑和建筑师的操作方式带来了深刻的变化。想想近年来出现的重大事件和主题,比如废弃地区,或者是都市景观的新概念,甚至是生态意识的发展,更不用说与电子相关的技术潜力了。这本书阐述了从沃尔特·格罗皮乌斯到本·范·贝尔克尔的道路,强调了危机时刻和这一过程的催化剂,并重点介绍了建筑研究及其主角应对这些不断变化的努力。本文发展了建筑文化中方法论和理论模型的概念,允许上下文化并宣布围绕“动态”模型的问题,被理解为对项目创意阶段的支持,由当代信息系统社会领导。虽然许多以前的事件标志着这一次的领域,不能被遗忘,一个研究集中在1920年设计的主要理论模型是必要的,以描述在该领域的艺术组成的状态。在他们的创作过程中,这些世界建筑的方法和模型引起了许多反应,积极的和/或消极的,但大多数是令人兴奋的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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