The Guitarist behind La Guitaromanie : Charles de Marescot

Damián Martín-Gil
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Abstract

The guitarist Charles de Marescot is a figure often cited when referring to the guitar mania that arose in France during the first decades of the nineteenth century. Yet very little is known about his life and musical production, which was dedicated almost entirely to the guitar. Drawing on several newly discovered documents, this article aims to understand the role of this polemical figure in the vogue for the guitar by reconstructing his whereabouts. Particular attention is given to his relationship with Hector Berlioz, with whom he conducted some minor business.
当提到19世纪头几十年在法国兴起的吉他狂热时,吉他手查尔斯·德·马雷斯科特(Charles de Marescot)经常被引用。然而,人们对他的生活和音乐创作知之甚少,他几乎完全致力于吉他。根据几份新发现的文件,本文旨在通过重建他的行踪来了解这个有争议的人物在吉他时尚中的作用。特别注意的是他与赫克托耳·柏辽兹的关系,他与他进行了一些小生意。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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