The Shadow of Your Smile: Xu Yong’s Portraits and the History of Portraiture East and West

P. Karetzky
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Abstract

This article discusses Xu Yong‘s experimentation with the camera both as a recorder of events and as a medium for personal expression. Early works document modern life in China like the destruction of old Beijing or the events in Tiananmen Square. But trained as an engineer, Xu Yong explored the function of the camera and re-engineered the lens reducing its performance to only capturing light. Then he made portraits of his friends and others. These abstracted images reveal something essential about the subjects, especially when contrasted with traditional portraiture in China and the West, as he is heir to both traditions.
《你微笑的影子:徐永的肖像画与东西方肖像画史
本文讨论了徐勇将相机作为事件记录者和个人表达媒介的实验。早期的作品记录了中国的现代生活,比如老北京的破坏或天安门广场上的事件。但作为一名工程师,徐勇探索了相机的功能,并重新设计了镜头,将其性能降低到只捕捉光线。然后他为他的朋友和其他人画肖像。这些抽象的图像揭示了主题的本质,特别是与中国和西方的传统肖像对比时,因为他继承了这两种传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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