Brancusi’s ‘Sculpture for the Blind’

E. Grazioli
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Abstract

One of the lesser-known works by Brancusi, Sculpture for the Blind is actually a key work, paradigmatic of the artist’s entire output. Perfectly oval in shape, it is the endpoint of Brancusi’s trajectory towards abstraction, which leads from the head to the egg as a symbol of origin. But, destined for the “blind”, on the one hand it displaces fruition from sight to touch, highlighting the importance of this modality also for other works; on the other hand it indicates the importance of “blinding” for understanding art; finally it denounces in its own way the blindness of so many self-styled art users. The essay reconstructs the history of the sculpture, its interpretations and its further implications.
布朗库西的《盲人雕塑》
作为布朗库西不太为人所知的作品之一,《盲人雕塑》实际上是一件关键的作品,是这位艺术家全部作品的典范。它是完美的椭圆形,是布朗库西走向抽象的终点,从头部到作为起源象征的鸡蛋。但是,注定是“盲人”的,一方面,它将成果从视觉转移到触摸,突出了这种形式对其他作品的重要性;另一方面,它表明了“盲化”对于理解艺术的重要性;最后,它以自己的方式谴责了这么多自封的艺术使用者的盲目。本文重建了雕塑的历史,它的解释和它的进一步含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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