Patterns of Intonation in Central Kurdish A Study in Cognitive Phonology

Zeki Hamawand, Khoshi Anwer Hasan
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Abstract

The present study attempts to analyze intonation in Central Kurdish, the Sorani variety spoken in Slemani in Iraqi Kurdistan. Intonation refers to pitch fluctuations used by a speaker to express meanings. To carry out the analysis, the study embraces the theory of Cognitive Phonology. The study attempts to claim that there is a relationship between the pitch of a linguistic expression and its meaning. Accordingly, it is hypothesized that the meaning of an utterance is shaped by the particular intonation used by the speaker. The study has two aims. The first is to show that intonation, as a suprasegmental feature, is meaningful in Central Kurdish. The second is to show that using one pattern of intonation instead of another is the result of the construal dimension of perspective. As native Kurdish speakers, the researchers are being used as sources of data. One important finding is that Kurdish intonation is meaningful because using one pattern of intonation instead of another is consequential. A change in tone adds a specific tint of meaning to the utterance in spoken language.
中部库尔德语的语调模式——认知音系学研究
本研究试图分析伊拉克库尔德斯坦斯勒马尼地区中部库尔德语(索拉尼语)的语调。语调是指说话者用来表达意思的音调波动。为了进行分析,本研究采用了认知音系学理论。该研究试图表明,语言表达的音高与其意义之间存在联系。因此,有一种假设认为,话语的意义是由说话者使用的特定语调形成的。这项研究有两个目的。首先,语调作为一种超分段特征,在中部库尔德语中是有意义的。二是表明使用一种语调模式代替另一种语调模式是透视解释维度的结果。作为母语为库尔德语的人,研究人员被用作数据来源。一个重要的发现是,库尔德语的语调是有意义的,因为使用一种语调模式而不是另一种语调模式是必然的。在口语中,声调的变化为话语增添了特定的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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