The Potential of Light Fields in Media Productions

Jonas Trottnow, S. Spielmann, T. Lange, Kelvin Chelli, Marek Solony, P. Smrz, P. Zemčík, W. Aenchbacher, M. Grogan, Martin Alain, A. Smolic, Trevor Canham, Olivier Vu-Thanh, Javier Vazquez-Corral, M. Bertalmío
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引用次数: 4

Abstract

One aspect of the EU funded project SAUCE is to explore the possibilities and challenges of integrating light field capturing and processing into media productions. A special light field camera was build by Saarland University [Herfet et al. 2018] and is first tested under production conditions in the test production “Unfolding” as part of the SAUCE project. Filmakademie Baden-Württemberg developed the contentual frame, executed the post-production and prepared a complete previsualization. Calibration and post-processing algorithms are developed by the Trinity College Dublin and the Brno University of Technology. This document describes challenges during building and shooting with the light field camera array, as well as its potential and challenges for the post-production.
光场在媒体制作中的潜力
欧盟资助的项目SAUCE的一个方面是探索将光场捕获和处理整合到媒体制作中的可能性和挑战。萨尔大学(Saarland University)建造了一种特殊的光场相机[Herfet et al. 2018],作为SAUCE项目的一部分,在测试生产“展开”的生产条件下首次进行了测试。电影导演巴登- 符腾堡制定了内容框架,执行了后期制作,并准备了完整的预告片。校准和后处理算法是由都柏林三一学院和布尔诺理工大学开发的。本文档描述了光场相机阵列在构建和拍摄过程中的挑战,以及它在后期制作中的潜力和挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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