Creative participation and mobile ecologies among resource-constrained aspirant designers in Cape Town, South Africa

Anja Venter
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引用次数: 2

Abstract

In what has been termed the rise of the 'visual web', young people around the world, with the help of new media technologies, are creating and sharing visual artifacts with others. Sharing such creations is a central activity on Facebook, and sites such as Instagram, Pinterest and Tumblr support the prolific visual communication made possible by camera-phones, and smartphones in particular. Emerging media literacies revolve around the creation of original visual content. These literacies support informal interpersonal genres based around mobile communication but are also linked to a wide range of visual design disciplines involving digital media production (such as graphic design, web design, animation, and game design, to name a handful). Concurrently, popular visual design software packages such as Adobe Creative Suite are being redesigned to support a mobile and specifically tablet-based ecology, possibly indicating a shift in visual design that is made on, and for, smaller screens.
资源有限的南非开普敦有抱负的设计师的创意参与和移动生态
在所谓“视觉网络”的兴起中,世界各地的年轻人在新媒体技术的帮助下,创造并与他人分享视觉作品。分享这些创意是Facebook上的核心活动,Instagram、Pinterest和Tumblr等网站支持照相手机(尤其是智能手机)带来的丰富视觉交流。新兴媒体素养围绕着原创视觉内容的创作。这些素养支持基于移动通信的非正式人际类型,但也与涉及数字媒体制作的广泛视觉设计学科(如平面设计,网页设计,动画和游戏设计,仅举几例)有关。同时,流行的视觉设计软件包(如Adobe Creative Suite)正在重新设计,以支持移动设备,特别是基于平板电脑的生态系统,这可能表明视觉设计在小屏幕上的转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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