Thinking of Aesthetic Empathy in Immersive Exhibitions

Meixue He, Ao Jiang
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Abstract

Based on the phenomenon of immersive exhibitions becoming a boom in art experiences, the authors investigate the reasons for this phenomenon from the intersection of the two fields of cognition and art - “aesthetic empathy”, and consider the audience’s “aesthetic empathy” as one of the key factors contributing to the phenomenon. In addition, the authors believe that the communication effect of immersive exhibitions is ultimately completed by the joint construction of technical equipment and the personal characteristics of the audience. Then, the authors propose some conditions and methods for building a positive art experience in immersive exhibitions. The overall point refers to that the advantages of immersive technologies include sensory stimulation and visual image construction, which will benefit the audience in immersing themselves in the symbolic system constructed by the work, which is the driving factor in the early stage of empathy. Then, this will make the audience think and feel the meaning speculation and emotional understanding brought by this symbol system, and complete the empathy experience.
沉浸式展览中的审美移情思考
基于沉浸式展览成为艺术体验热潮的现象,作者从认知与艺术两个领域的交叉点——“审美共情”来探讨这一现象的原因,并认为观众的“审美共情”是造成这一现象的关键因素之一。此外,作者认为沉浸式展览的传播效果最终是由技术设备和观众个人特征的共同构建来完成的。然后,作者提出了在沉浸式展览中营造积极的艺术体验的条件和方法。整体观点是指沉浸式技术的优势包括感官刺激和视觉形象建构,这将有利于观众沉浸在作品所构建的符号系统中,这是早期共情的驱动因素。然后,让观众去思考和感受这个符号系统所带来的意义思辨和情感理解,完成共情体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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