Le parole di d’Annunzio in Rebora Dinamismo delle fonti tra stile e ideologia

G. Mussini
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Abstract

This essay analyses d’Annunzio’s sources in Rebora’s work – in one case, it is the other way around – showing the latter’s consciously argumentative use of the source author, whose words are borrowed to overturn their ethical value. Thus, from d’Annunzio’s precious aestheticism, these words move on to Clemente Rebora’s harsh, morally pregnant poetry, acquiring a whole new colour. Beside many examples of specific intertextual relations, concerning first Frammenti lirici and then Canti anonimi and Poesie sparse, this paper also includes in-depth analysis of the peculiar ideology underlying the two poets’ work. The results of this research, tapping also into the Concordance, are copious. The final part of the essay presents a reflection about the two authors’ mental and stylistic attitude with respect to the War, delineating unforgettable moral portraits.
达南齐奥在风格和意识形态之间的动态来源中所说的话
本文分析了达农齐奥在雷博拉作品中的来源——在一种情况下,这是另一种情况——显示了后者对来源作者的有意识的论证性使用,借用其文字来推翻其伦理价值。因此,从达农齐奥的宝贵的唯美主义,这些话转移到克莱门特·雷博拉的严厉,道德孕育的诗歌,获得了一个全新的色彩。本文除了列举了许多具体的互文关系的例子,首先是关于弗雷门蒂·利里奇,然后是关于康蒂·无名氏和诗的稀疏,还深入分析了两位诗人作品背后的独特意识形态。这项研究的结果是丰富的,也涉及到协和。文章的最后一部分反映了两位作者对战争的精神和风格态度,描绘了令人难忘的道德肖像。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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