Chapter 6. Caught In The Web Cosmology and the Point of (No) Return in Pynchon's Gravity's Rainbow

N. K. Hayles
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Abstract

MoRE THAN ANY OTHER writer in this study, Pynchon grasps the full implications of the field concept, including both its promise of a reality that is a harmonious, dynamic whole and the problem it poses of how to represent that reality in the fragmented medium of language. Pynchon's response to this dilemma is to create a text that at once invites and resists our attempts to organize it into a unified field of meaning. Gravity's Rainbow is notoriously difficult to read because its complex and recurring allusions constantly tempt the reader to search for, and recognize, the extensive patterns of interlocking images to which the text owes its remarkable coherence and density, 1 while at the same time frustrating this attempt by a variety of techniques that tend to obliterate or contradict the emerging patterns. Any coherent account of this narrative will have to come to grips with this deconstructing
第六章。在品钦的《万有引力的彩虹》中,陷入网络宇宙学和(不)回归点
在这项研究中,品钦比其他任何作家都更能把握场域概念的全部含义,包括它对和谐、动态整体的现实的承诺,以及它提出的如何在语言的碎片化媒介中表现现实的问题。品钦对这种困境的回应是创造一种文本,它既邀请我们,又抵制我们把它组织成一个统一的意义领域的尝试。《万有引力的彩虹》是出了名的难读,因为它的复杂和反复出现的典故不断地诱使读者寻找和认识到,联锁图像的广泛模式,这使得文本具有非凡的连贯性和密度,同时,各种各样的技术往往会抹杀或矛盾这种新出现的模式,从而挫败了这种尝试。任何连贯的叙述都必须认真对待这种解构
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