The main sources for the Arte Mayor in sixteenth century Spain

Fàtima Romero-Vallhonesta, M. Massa-Esteve
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引用次数: 1

Abstract

One of the main changes in European Renaissance mathematics was the progressive development of algebra from practical arithmetic, in which equations and operations began to be written with abbreviations and symbols, rather than in the rhetorical way found in earlier arithmetical texts. In Spain, the introduction of algebraic procedures was mainly achieved through certain commercial or arithmetical texts, in which a section was devoted to algebra or the ‘Arte Mayor’. This paper deals with the contents of the first arithmetical texts containing sections on algebra. These allow us to determine how algebraic ideas were introduced into Spain and what their main sources were. The first printed arithmetical Spanish text containing algebra was the Libro primero de Arithmetica Algebratica (1552) by Marco Aurel. Therefore, the aim of this paper is to analyse the possible sources of this book and show the major influence of the German text Coss (1525) by Christoff Rudolff, on Aurel's work.
16世纪西班牙市长艺术的主要来源
欧洲文艺复兴时期数学的主要变化之一是代数从实用算术的逐步发展,其中方程和运算开始用缩写和符号书写,而不是像早期算术文本那样用修辞的方式书写。在西班牙,代数程序的介绍主要是通过某些商业或算术文本实现的,其中有一节专门介绍代数或“Arte Mayor”。本文讨论了包含代数部分的第一批算术教材的内容。这使我们能够确定代数思想是如何传入西班牙的,以及它们的主要来源是什么。第一本包含代数的西班牙算术文本是马可·奥雷尔的《代数算术大全》(1552)。因此,本文的目的是分析这本书的可能来源,并显示德国文本的主要影响,由克里斯托夫鲁道夫,对奥雷尔的工作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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