Drama Work

M. Göpfert
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Abstract

This chapter illustrates how the result of the gendarmes' work was often not a bureaucratic report but an informal arrangement, mostly between the disputing parties. This was, indeed, the more desirable outcome to their work, both from the gendarmes' and the civilians' perspective. However, when confronted with severe crimes, the gendarmes saw their function as establishing consensus, resolving conflicts, and thus restoring social order in the disputants' community. Here the dramaturgical skills of the gendarmes were key. Establishing a consensus meant distributing mutually compatible roles among the parties in such a way that everybody could save face and meaningful interaction was possible. In this “social drama on the stage of law,” the gendarmes used the ambivalence and possibilities of the frontier-condition not so much to invoke the state of exception—quite the contrary. While their bureaucratic work was based on the translation from le social into les textes, from life to form, in these arrangements, the gendarmes allowed for a clear separation of the two. As such, they did not connect mutually compatible forms and formats by pressing life into a bureaucratically exploitable form; but they created mutually compatible forms of sociality and morality.
戏剧工作
本章说明了宪兵的工作结果往往不是一份官僚报告,而是一种非正式的安排,主要是在争端各方之间。从宪兵和平民的角度来看,这确实是他们工作的更理想的结果。然而,当面对严重的罪行时,宪兵认为他们的职能是建立共识,解决冲突,从而在争端者所在的社区恢复社会秩序。在这里,宪兵的戏剧技巧是关键。建立协商一致意见意味着在各方之间分配相互兼容的角色,以使每个人都能挽回面子,并有可能进行有意义的互动。在这场“法律舞台上的社会戏剧”中,宪兵们利用了边境的矛盾心理和可能性——与其说是为了唤起例外状态——不如说恰恰相反。虽然他们的官僚工作是基于从社会到文本的翻译,从生活到形式的翻译,在这些安排中,宪兵允许两者明显分离。因此,他们没有通过将生活压制成一种官僚剥削的形式来连接相互兼容的形式和格式;但他们创造了相互兼容的社会和道德形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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