The Research Scope of Law and Music from the Perspective of Legal Aesthetics

Mei Gao
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Abstract

As an interdisciplinary discipline of law and aesthetics, the object of study of legal aesthetics should be divided into two parts: law and beauty; the beauty of law. As a theme of the study of legal aesthetics, law and music has always been talked about by scholars. At present, the research on the theme of law and music is mainly divided into four parts, and it is also the four-level progressive relationship between law and music. First, the copyright law on music. Second, the interaction of law and music in the process of development. Third, the similarity between law and music. Fourth, the essential connection and internal unity of law and music. When law and music is an object of the study of legal aesthetics, the scope of research should be limited to the latter three parts. Among them, the second and third parts are the study of law and beauty, and the fourth part is the study of the beauty of law.
法律美学视域下的法律与音乐研究范围
作为法学与美学的交叉学科,法律美学的研究对象应分为法与美两个部分;法律之美。法律与音乐作为法律美学研究的一个主题,一直被学者们津津乐道。目前对法律与音乐主题的研究主要分为四个部分,也是法律与音乐的四级递进关系。首先是音乐版权法。二是法律与音乐在发展过程中的互动。第三,法律与音乐的相似性。第四,法与乐的本质联系和内在统一。当法律与音乐作为法律美学研究的对象时,研究的范围应限于后三部分。其中第二、三部分为法与美的研究,第四部分为法之美研究。
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