Actualization of song and poetic text features in the texts of “rock” and “pop” genres.

Евгения Владимировна Бакланова, Игорь Юрьевич Колесов
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Abstract

In this article a song, or more specifically, a song-and-poetry text, is presented as a literary musical piece of art displaying a number of distinctive text features. The authors define criteria for distinguishing various text manifestations. As the criteria of the text as a verbal speech product, the authors consider such main features of the text as its semiotic, structural, semantic, functional and communicative characteristics. Song-and-poetry texts of various genres, such as “rock” and “pop” are discussed in the article. They are analyzed in accord with the main features of the text. In the process of analysis, both general and distinctive features of texts of contrasting genres are revealed. By analyzing the samples of the texts belonging to rock and pop, the authors claim that while determining the text type or genre, one criterion is not enough, owing to the versatility of a text. The authors conclude that it is the combination of features of song-and-poetry texts revealed in the analysis of the aspects considered in the article that can serve the instrument for differentiating between song-and-poetry texts of various genres.
“摇滚”和“流行”两种体裁的文本具有歌曲文本和诗意文本的实现特征。
在本文中,一首歌曲,或者更具体地说,一首歌曲和诗歌文本,被呈现为一种文学音乐艺术作品,展示了许多独特的文本特征。作者定义了区分各种文本表现形式的标准。作为言语产品的文本标准,作者考虑了文本的符号特征、结构特征、语义特征、功能特征和交际特征等主要特征。本文讨论了各种类型的歌曲和诗歌文本,如“摇滚”和“流行”。根据文章的主要特点对其进行分析。在分析的过程中,对比体裁文本的共性和独特性都得到了揭示。通过分析属于摇滚和流行音乐的文本样本,作者声称,在确定文本类型或类型时,由于文本的多功能性,一个标准是不够的。作者认为,本文所考虑的各方面分析所揭示的诗歌文本特征的结合,可以作为区分不同体裁的诗歌文本的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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