To Be a Work Means to Set Up a World: Into the Woods with Heidegger

Falk Heinrich, Thomas Wolsing
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引用次数: 1

Abstract

This video article is one outcome of a collaborative project with artist Thomas Wolsing in the summer of 2016. The collaboration was video recorded (FPS, head mounted camera). The footage was thereafter edited into a video article that documents emerging dimensions and themes of this project. My ambition for this collaboration was to experience and discover interlacements between, on the one hand, art theory (epitomized by some sentences of Heidegger’s “The Origin of the Work of Art”) and, on the other hand, artistic and physical-constructional work in building a land art piece. The video article presents dialogues and monologues in situ that circles around the problem of how to bodily and conceptually integrate art theory and concrete artistic practice and the dependence between and incompatibilities of art theory and art making. It shows the experienced integration of physical and discursive actions that, in the moment of performance, is elusive and refutes any ethical assessment. The video is in Danish with English subtitles.
作为作品意味着建立一个世界:与海德格尔一起走进森林
这篇视频文章是2016年夏天与艺术家Thomas Wolsing合作项目的成果之一。合作是视频记录(FPS,头戴式摄像机)。随后,这些镜头被编辑成一篇视频文章,记录了该项目的新维度和主题。我对这次合作的抱负是体验和发现艺术理论(集中体现在海德格尔的《艺术作品的起源》的一些句子中)与另一方面,在建造一件大地艺术作品时,艺术和物理建构工作之间的相互作用。视频文章以现场对话和独白的形式,围绕着如何将艺术理论与具体艺术实践在身体和观念上进行整合,以及艺术理论与艺术创作的相依与不相容的问题展开。它展示了身体和话语行为的经验整合,在表演的时刻,是难以捉摸的,驳斥了任何伦理评估。该视频是丹麦语,配有英文字幕。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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