Breaking the workflow: Design heuristics to support the development of usable digital audio production tools: framing usability heuristics for contemporary purposes

S. McGrath
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Abstract

The investigation that follows presents the results of a series of workshops with professional musicians and music producers. The work here elicits requirements for musicians in terms of software systems. The scope here explores how to design systems to support creativity and collaboration while maintaining a usable system - one which is effective, efficient and satisfies the user. The format models that of similar workshops, where a three-pronged approach is taken to focus on three different types of creativity: exploratory, combinatorial and transformational approaches. Participants describe a story that defines different user roles and expectations. Focus groups help to refine and combine the existing experiences and begin identify ways in which systems can be made more usable, and support more creative ways of working. We consider the broader consideration of usability, including defining and describing different user types and how their views of usability may differ or even be at odds. Our findings show that while existing systems are very good at supporting traditional usability metrics, they may not consider the broader implications of a considered and holistic user experience.
打破工作流程:设计启发以支持可用数字音频制作工具的开发:为当代目的构建可用性启发
接下来的调查展示了与专业音乐家和音乐制作人进行的一系列研讨会的结果。这里的工作引出了音乐家在软件系统方面的需求。这里的范围探讨了如何设计系统来支持创造力和协作,同时维护一个可用的系统-一个有效,高效和满足用户的系统。类似的研讨会采用三管齐下的方法,重点关注三种不同类型的创造力:探索性、组合性和变革性方法。参与者描述了一个定义了不同用户角色和期望的故事。焦点小组帮助改进和结合现有的经验,并开始确定使系统更可用的方法,并支持更有创造性的工作方式。我们考虑更广泛的可用性考虑,包括定义和描述不同的用户类型,以及他们对可用性的看法可能不同甚至不一致。我们的研究结果表明,虽然现有的系统非常善于支持传统的可用性指标,但它们可能没有考虑到经过深思熟虑的整体用户体验的更广泛的含义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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