Capture

Michael Davey, J. Davey, Oliver Caplin
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引用次数: 37

Abstract

Our time demonstrates a problematic relationship between war, politics and culture, presented under the features of an indistinctness or overlap. This essay presents a theoretical discussion to outline conceptual tools for a critical approach to this problem. Through a perspective that relates to the contemporary through an "inactuality", an intellectual exercise is proposed that makes a crossover between scientific-military and theoretical-critical knowledge produced in the last decades of the last century and of great relevance in their respective fields. This is the case of those generated by the RAND Corp., at the hands of John Arquilla and David Ronfeldt, in which notions such as "netwar", "swarming" and "noopolitics" were forged; and the proposals of Gilles Deleuze and Félix Guattari embodied especially in the second volume of their project "Capitalism and schizophrenia", A Thousand Plateaus , in which concepts such as "war machine" and "apparatus of capture" are introduced. According to the terms of these latter, it is sought to generate a reflection that is located in the middle of those knowledges, to produce an assemblage that crosses the lines that connect them mechanically and to explore the ways in which they can contribute to a cartography of our present.
捕获
我们的时代表现出战争、政治和文化之间的问题关系,呈现出模糊或重叠的特征。这篇文章提出了一个理论讨论,概述了对这个问题的关键方法的概念工具。通过一种通过“不现实”与当代相关的视角,提出了一种智力练习,在上世纪最后几十年产生的科学-军事和理论-批判知识之间进行交叉,并在各自的领域中具有很大的相关性。兰德公司(RAND Corp.)在约翰·阿奎拉(John Arquilla)和大卫·罗恩菲尔德(David Ronfeldt)手中产生的那些概念就是这种情况,其中伪造了“网络战”(netwar)、“蜂群”(swarm)和“网络政治”(nopolitics)等概念;吉尔·德勒兹(Gilles Deleuze)和f lix Guattari的建议尤其体现在他们的项目“资本主义与精神分裂症”的第二卷《一千个高原》(A Thousand plateau)中,其中引入了“战争机器”和“捕获装置”等概念。根据后者的术语,它试图产生一种位于这些知识中间的反思,产生一种跨越机械连接它们的线的组合,并探索它们可以为我们现在的地图绘制做出贡献的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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