More Music in Movies: What Box Office Data Reveals About the Availability of Public Domain Songs in Movies from 1968-2008

P. Heald, Peibei Shi, J. Stoiber, Qingyao Zheng
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引用次数: 5

Abstract

A previous empirical study suggested that as copyrighted songs transitioned into the public domain they were used just as frequently in movie soundtracks as when they were still legally protected. That study, however, did not account for the number people who viewed each movie in the theater. Since the debate over copyright term extension centers on the continuing “availability” of works as they fall into the public domain, a better measure of the availability of songs in movies would account for the relative box office success of the movies in which the songs appear. The present study collects box office data for hundreds of movies from 1968-2008 in which appeared hundreds of songs and concludes that public domain songs were heard by just as many people in movie theaters before and after they fell into the public domain.
电影中更多的音乐:票房数据揭示了1968-2008年电影中公共领域歌曲的可用性
之前的一项实证研究表明,当受版权保护的歌曲进入公共领域时,它们在电影配乐中的使用频率与仍受法律保护时一样高。然而,这项研究并没有考虑在电影院观看每部电影的人数。既然关于版权期限延长的争论集中在作品进入公共领域后的持续“可用性”上,那么更好的衡量电影中歌曲的可用性的方法应该是考虑歌曲出现在电影中的相对票房成功。本研究收集了1968年至2008年间数百部电影的票房数据,其中出现了数百首歌曲,并得出结论,在进入公共领域之前和之后,在电影院听到公共领域歌曲的人数是一样多的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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